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The krautrock\/ambient\/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eoriginal reels and housed in a heavy 350gsm sleeve.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eOriginally released in 1978 on Ange and Jean-Claude\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e\u003cspan\u003e \u003c\/span\u003ePognant's mythical prog rock label Crypto, Chrysalide is a fusion of minimalist meditations, cosmic soundscapes, and ambient with a human warmth, carried by a profoundly beautiful and unique use of twelve-string guitar, bass, and violin.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eIdeal for an introspective listening experience, the hypnotic Kosmische Musik of Michel Moulinié belongs to the same psychedelic family as Manuel Göttsching’s Inventions For Electric Guitar, Mike Oldfield’s Tubular Bells, early Tangerine Dream, and Steve Hillage’s innovative guitar mastery. WRWTFWW listeners might also be reminded of the label’s seminal French release, Dominique Guiot's L'Univers de la Mer, which makes a great spiritual pairing with Chrysalide.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eEscape into the vast universe inside yourself. 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It's an epic worthy of Morricone's spaghetti Western scores -- had Morricone been born a guitarist. Ultimately, Beautiful Rivers and Mountains is more than a mere curiosity piece; for all its easy-to-recognize styles, Shin's way of enmeshing them into something original underscores rather than erases their strangeness and splendor -- even to widely exposed Western ears -- making this is an excellent introduction to his work.”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cstrong\u003e- AllMusic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShin Joong Hyun’s tale is personal, spiritual, and deep, not only reflecting the full spectrum of human emotions but also reverberating with echoes of sound, some beautiful and life-giving, others restless and ungovernable. These career-spanning anthologies gather Shin’s work as a guitarist, songwriter, producer and arranger of mind-altering experimental pop, acid-folk, and extended psych-funk jams. 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Working alongside band member Peter Sando from the original master tapes, it is time for the rest of the uninitiated to catch up with this beautifully crafted haunting psych-pop record (fans of THE LEFT BANKE, KALEIDOSCOPE, THE MILLENNIUM, and THE ZOMBIES, take note!).\u003c\/p\u003e\n\u003cp\u003eRecorded at Century Sound in Manhattan with Grammy-winning producer Brooks Arthur (who engineered Neil Diamond’s “Sweet Caroline” and Van Morrison’s “Brown Eyed Girl”), the production of the album was created on the spot in the studio with arrangements being thrown about and the incredibly haunted vocals being recorded directly from the band’s PA using a Binson Echorec to make this innovative sound (Pink Floyd later used the same echo unit to great effect). Add to that sitars, vibes, B3 organs, harpsichord, minor tragic guitar chords, and bass drones aplenty, and you’ve got the recipe for an album that bears listening to with eyes closed, music cranked, mind open. 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Though it’s 40-to-50 years old there’s a real freshness to this music. Older jazz players Brian Bennett, John Cameron, Alan Hawkshaw and others seized the chance to operate a synth; younger pups including John Saunders and Monica Beale were simply intrigued by the new technology being wheeled into the studios. There’s a tangible sense of adventure.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTomorrow’s Fashions\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ebrand of electronica anticipated new age and ambient music. It also had both a direct and indirect influence on pop – the early Human League and the future sounds of Warp Records are all over this collection. Electronic library tracks have been sampled by everyone from MF Doom to Kendrick Lamar.\u003c\/p\u003e\n\u003cp\u003eOne person’s primitive and experimental is another person’s space-age lullaby. This was music made in the shadows – in Soho’s secretive music library studios – that has now become desirable and influential. The chances are chunks of it will be sampled and used on hit records that have yet to be written. 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